Reimagining the Landscape

Now, he has moved towards using earthy jute and bold, idyllic scenes that create a contemplative space rather than one of engulfment. His works strike a balance between narrative quality and non-figurative elements such as colour theory, form, and texture – encouraging viewers to explore the abstraction within the composition. Adding to his distinctive style are his signature cast colour swatches, which destabilise narrative cohesion, drawing attention to gesture and repetition. This interplay of abstraction and structure positions Mohall as an artist who skillfully navigates the boundary between the familiar and the abstract, offering a rich visual and conceptual experience.

A 2004 graduate of The Cooper Union for the Advancement of Science and Art, Brooklyn-based Sophie Larrimore’s paintings – often depicting canine and human subjects – stand out for their playful yet intricate treatment of space and form. Her work examines the tension between flat and illusionistic spaces, using her subjects as a springboard for broader explorations of artistic elements.

Larrimore’s fascination with dogs as subjects stems from their kitsch connotations and their historical roles in art, where they were frequently relegated to secondary figures. Her use of these animals reflects on the intersection of nostalgia, humour, and a critique of artistic seriousness.

By intentionally challenging the traditional boundaries between “serious” art and seemingly trivial subjects, Larrimore uses her canine figures to explore the relationship between abstraction and representation. Her intuitive approach to form and colour results in paintings that convey a sense of movement and surprise – engaging both the artist and the viewer in an unexpected dialogue.

Charlie Roberts’ work captures the essence of contemporary life through elongated figures, surreal scenarios, and a unique blending of pop culture, art history, and everyday moments.

With a background in painting and sculpture, Roberts studied at Kansas University before completing his formal education at the Emily Carr Institute of Art and Design in Vancouver. Now based in Oslo, Roberts brings fresh perspectives from his American roots, merging them with observations on Scandinavian life, which often feature prominently in his work. His paintings are not just scenes from life but commentaries on the ideals and contradictions of modern society.

From quiet domestic moments to the expansive beauty of Norwegian landscapes, his figures – with their elongated limbs and exaggerated proportions – bring a sense of playful surrealism to familiar experiences. Roberts’ ability to seamlessly mix humour, narrative, and a profound sense of reflection makes his work particularly special. His unique combination of artistic influences – ranging from Otto Dix to folk art, Scandinavian traditions, and pop culture – ensures his pieces are both visually striking and rich in layers of meaning. This narrative depth, combined with his technical skill and imagination, has made him a standout artist in the contemporary scene.

Mohall’s textured compositions, rooted in Scandinavian environments, blend abstraction with representation – transforming regional settings into contemplative spaces. Larrimore draws from historical art forms, crafting scenes where human and animal figures interact in a world that feels both timeless and familiar. Roberts’ vivid, surreal works merge myth, pop culture, and folklore – creating dynamic, narrative-rich landscapes. Together, their works expand the concept of landscape, offering a nuanced exploration of place, identity, and imagination.