Galleri Flach, SE
Galleri Flach was founded in Stockholm in 1999 by James Flach and Eva-Lotta Holm Flach, showcasing Swedish and international contemporary art.
The gallery has a comprehensive, continuous, and multi-faceted exhibition program focusing on highlighting interesting and significant artists in the framework of both solo and group exhibitions. Galleri Flach represents a large range of young, emerging, and well-established artists with exhibitions at museums, art institutions, and galleries around the world.
The gallery emphasizes long-term collaborations to provide a space for artistic integrity and quality. The exhibition program includes contemporary painting, photography, sculpture, video, and installations. In recent years, Galleri Flach has also worked in project-based collaborations with artists, with a specific focus on non-European artists, mainly from Africa. The intention is to introduce new and emerging artists and to enlarge the connection between artists from different regions.
The gallery’s network includes private collectors, public funding and collections, curators, museums, and other galleries in Scandinavia and internationally. Galleri Flach also works with consultation and advice in connection to public and private commissions, as well as collections of contemporary art for private corporations, etc.
Karlavägen 9
114 24 Stockholm
Sweden
Featured Artists
This year's presentation
In “New Horizons” by the artists Patrick Nilsson and Moa Israelsson, we encounter nature as a changing yet constant presence in these existentially reflective presentations. Patrick Nilsson shows a series of new paintings based on the nature and landscape sceneries from his surroundings, while Moa Israelsson presents sculptural objects that naturalistically describe vegetation and plants in its innermost essence, such as corn plants and meadow flowers. Both artists have previously shown a long series of works focusing on enigmatic human behaviors and environments. With humor and irony, Patrick Nilsson has explored violence and aggression as a universal human element of existence, while Moa Israelsson’s sculptural works in lifelike forms have depicted mythical archetypes and survival tools in imaginary future worlds. The cycle of beauty and decay in nature is the focus for both these artists, depicted through the artists’ dazzling technical and artistic execution.
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Moa Israelsson, 'Corn plant I', (2025) -
Patrick Nilsson, 'Seaside', (2025) -
Patrick Nilsson, 'Dead Tree', (2025) -
Moa Israelsson, Installation view. (2024) -
Moa Israelsson, 'Corn plant II', (2025) -
Patrick Nilsson, 'Four sisters II'