CFHILL, SE
CFHILL is an international art space and art advisory, representing some of Sweden’s most prominent artists. Placed in the heart of Stockholm, CFHILL’s permanent space in the 18th century building at Riddargatan 13, offers a variety of exhibitions with a vast range of artists from across generations and backgrounds.
Since the start in 2015, CFHILL has produced over 100 exhibitions, with works by artists such as Hilma af Klint, Sheila Hicks, Sonia Delaunay, Yayoi Kusama, Donna Huanca, Carsten Höller, Olafur Eliasson, Lucio Fontana, Keith Haring, Barabara Kruger, Paloma Varga Weisz, Sixten Sandra Österberg, Niki de Saint Phalle, Jonathan Lyndon Chase, Andy Warhol, Kennedy Yanko, Annie Morris, Sarah Lucas & Amoako Boafo. Exhibitions are curated in-house or in collaboration with international names such as Melanie Lum (US/China), Francesca Gavin (UK), Sandra Weil (Tel Aviv), Sophie Mörner (US), Javier Peres (Germany), Destinee Ross-Sutton (US).
Under CFHILL’s independent Art Advisory, CFHILL has created numerous art collections for private collectors as well as for corporations and institutions, such as SEB, Tangen Collection and Ett Hem, and work as an active partner for longer-term initiatives, including the Firestorm Foundation and AMOCA, Wales.
CFHILL was founded and is led by Michael Storåkers, Executive Chairman and Head of Contemporary, Anna-Karin Pusic, CEO and Head of Specialists and Michael Elmenbeck, Creative Director and Head of Exhibitions exhibitions alongside a rigorous programme of curated group exhibitions.
Riddargatan 13
114 51 Stockholm
Sweden
Featured Artist
This year's presentation
For nearly five decades, Mats Gustafson has refined watercolour into a singular artistic practice defined by precision and an exceptional sensitivity to form. In ‘The Watercolours’ of Mats Gustafson, CFHILL presents the artist foremost as a master of the medium, through a focused selection of works depicting the Nordic landscape; trees, spruces, stones, and swans rendered with quiet intensity, balance, and restraint. Hovering between abstraction and figuration, Gustafson distils complex forms into essential compositions, demonstrating a deep understanding of watercolour as both material and method.
Recent exhibitions at the British Museum (Nordic Noir) and Nationalmuseum (The Romantic Eye), alongside the British Museum’s acquisition of his work, underscore the institutional recognition of his nature studies. As a counterpoint, the presentation concludes with a curated selection of Gustafson’s iconic fashion illustrations, reflecting the duality of his practice through the same precision and elegance found in his landscapes.
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Mats Gustafson. Courtesy of CFHILL and the artist. Mats Gustafson
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Mats Gustafson. Courtesy of CFHILL and the artist. Mats Gustafson
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Mats Gustafson. Courtesy of CFHILL and the artist. Mats Gustafson
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Mats Gustafson. Courtesy of CFHILL and the artist. Mats Gustafson
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Mats Gustafson. Courtesy of CFHILL and the artist. Mats Gustafson
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Mats Gustafson. Courtesy of CFHILL and the artist. Mats Gustafson
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